Karine Rougier in Flaunt Magazine
“The Maltese-French artist depicts her emotional fascinations through diluted oil with a finley pointed single haired paint brush. These fascinations are sensually portrayed throughout the collection with recurring themes and inspirations of feminism, native cultures, poetry, hands, and eyes.”
7.2.2018

Karine Rougier in hifructose
“Karine Rougier’s mystical “Wild waves in our hands” touches both on our tribal nature and explores femininity.”
6.16.2018

Karine Rougier in Juxtapoz
“There is almost surreal, folkloric feeling in each painting and sculpture, playful but also mystical in some scenes.”
6.12.2018

Karine Rougier in BLOUIN ARTINFO
“ The minute details in these expressionist miniature paintings is what makes “Wild waves in our hands” move the viewer into a rhythmic emotional sensuality and mystical experience.”
6.7.2018

Karine Rougier in Artnet
Editors’ Picks: 11 Things Not to Miss in New York’s Art World This Week
5.28.2018

1972 in The Herald
“…the notion of identity; it occurs in fractured history, re-imagined pasts and the errors of tradition, once it is perceived from the alien lens…”
5.21.2018

1972 in HYPERALLERGIC
“Catinca Tabacaru, which has galleries in both New York and Harare, Zimbabwe is displaying the work of Admire Kamudzengerere and Rachel Monosov, two artists who are represented by the gallery and who together had developed a semi-fictionalized project, 1972, to explore interracial marriage in Zimbabwe. Their project plays fast and loose with back-dated documentation and personal testimony to insert their “marriage” (which may or may not be legal) into the official governmental records of the country.”
5.5.2018

Catinca Tabacaru Gallery in New York Times
“The Lower East Side dealer Catinca Tabacaru, who also has a Zimbabwe outpost, is featuring Admire Kamudzengerere’s mixed media works painted on aging telephone book pages…”
5.4.2018

1972 by Rachel Monosov and Admire Kamudzengerere in COLLECTOR DAILY
“The entire backstory to this project is so intricately crafted that the series resonates with impressively brainy intelligence.”
4.5.2018

Terrence Musekiwa in ARTNEWS
“He’s able to create these very expressive faces, and then the rest of the body acts as a profile of what’s being brought to and thrown away in Zimbabwe.”
5.3.2018

TRANS-Ville Act V in OBSERVER
5 Must-See Gallery Shows in NYC During Frieze Week
5.2.2018

Catinca Tabacaru Gallery in WIDEWALLS
2.23.2018

Xavier Robles de Medina in The Art Couch
3.26.2018

Admire Kamudzengerere and Rachel Monosov: 1972 in New York Magazine
“It was a time of great racial unrest, and interracial marriage was still illegal. “We took the most problematic moment in history, and we’re changing it and saying, this existed as well,” said Rachel.”
3.26.2018

Yapci Ramos in COOLS
“RED HOT” BREAKS BOUNDARIES, SHATTERS TABOOS, AND BLEEDS WITH CHALLENGE”
3.20.2018

Yapci Ramos in Forbes
“I felt empowered by it.”
2.25.2018

Yapci Ramos in Whitewall
2.23.2018

Catinca Tabacaru in Harpers Bazaar
Gallerist Catinca Tabacaru breaks down who’s taking the art scene by storm.
2.15.2018

CTG Collective in ARTSY
“Each group residency culminates in a group show. Tabacaru said the exhibitions reflect the diversity of the group of artists and their experiences, but are united by the sense of place.”
2.14.2017

TRANS-Ville Act III in RAVELIN Magazine
“Miriam Parker’s performance was billed as ‘TRANS-mutation,’ and her dance background synthesizes with her interests across media to create something unique..” – Alec Coiro
12.20.2017

Shinji Murakami in BEDFORD + BOWERY
“…a clear reminder that while the gallery may look rooted in the technology of the past, we are in the present, and it’s a present that may not be too far away from colonizing other planets.” – Cassidy Dawn Graves
12.12.2017

Shinji Murakami in artnet
Editors’ Picks: 11 Things to See in New York This Week – Sarah Cascone
12.11.2017

Rachel Monosov and Admire Kamudzengerere: Transcultural Protocol in Contemporary&
“Here he talks about why dance is so important in life and how performance can be an excellent vehicle to explore serious issues.” – Will Furtado
12.8.2017

Terrence Musekiwa in ARTNEWS
“The solo exhibition is the Zimbabwean artist’s first in the United States.”
11.27.2017

Terrence Musekiwa in artdaily.org
“Musekiwa lends power and motion to obsolete materials.”
11.22.2017

Terrence Musekiwa in Hyperallergic
“Musekiwa has managed to create a prescient set of sculptures, which, especially in light of recent events, offer a glimpse into a more optimistic future.” – Robin Scher
11.21.2017

TRANS-Ville Act II in Quite Lunch
“Displayed in the window of the Broome Street location, performers used the gallery floor as an extension of their practice, engaging the public in a visceral and moving experience.”
11.17.2017

Terrence Musekiwa in PAPER
10 MUST-SEE Art Shows Opening This Week
“Terrence Musekiwa, has his first America solo show” – Gary Pini
10.25.2017

Terrence Musekiwa in Artnet
Editors’ Picks: 17 Things to See in New York This Week
“Growing up in Zimbabwe, Terrence Musekiwa helped his father carve soapstones to sell to tourists.” – Sarah Cascone
10.23.2017

Joe Brittain in QUIET LUNCH
“We spoke to the artist about the past, future, history, and changing one’s perception.”
10.15.2017

TRANS-Ville Act I in COOL HUNTING
“[Coco Dolle] was the brains behind the show, offering a sharp, natural eye for diversity, without anxious woke-washing.” – Ida Therén
10.2.2017

TRANS-Ville in ARTNEWS
“The first of a three-part performance series, done in collaboration with curator Coco Dolle, it presented vaudeville-inspired ‘original, short acts combining body, word, sound, and concept works that play with notions of transition…”
9.29.2017

Shinji Murakami in Hyperallergic
“Your list of must-see, fun, insightful, and very New York art events this season… December: Be prepared to be enveloped by Murakami’s pixelated, LED world, which has its roots in 1990s game culture.”
9.19.2017

Greg Haberny in BLOUIN ARTINFO
“He uses shards of porcelain, ashes of his own burned paintings, and twists of wire combined with salvaged objects, spray paints, oils and acrylics in his works to reflect the anxiety around the unsustainability of mass consumer society.”
9.18.2017

Best Booths of EXPO Chicago in OBSERVER
“The booth from New York gallerist Catinca Tabacaru spotlights a new collaborative project from artist Rachel Monosov and Admire Kamudzengerere…” – Taylor Dafoe
9.14.2017

Northern Trust Purchase Prize Announced – Block Museum awarded Rachel Monosov & Admire Kamudzengerere’s “1972”
9.13.2017

10 Must-See Galleries at Expo Chicago in Chicago Tribune
“…the New York gallery was selected by curator Justine Ludwig as a young gallery to watch… it presents unhinged silkscreens by Admire Kamudzengerere and stunning multimedia projects from Rachel Monosov.” – KT Hawbaker
9.13.2017​

CTG Harare in Artnet news
“Catinca Tabacaru’s second space—in a locale it says has ‘no other artwork for many miles’—is dedicated exclusively to two-person exhibitions of Zimbabwean and international artists.”
9.6.2017

Shinji Murakami in El País
“Shinji Murakami, sin embargo, estas imágenes le permiten expresar claramente sus ideas sin perderse en la traducción, tanto en la vida privada como en la profesional.” – Patricia Gosálvez
8.18.2017

Catinca Tabacaru in WWD
“Catinca Tabacaru didn’t take the predictable path toward becoming a New York City gallery owner.” – Kristen Tauer
8.7.2017

Capucine Gros on Artnet
“Gros is obsessed with maps. Her work deals with love and death, and the invisible borders that separate us from one another.” – Sarah Cascone
8.7.2017

TNF with Xavier Robles de Medina
Video Interview

Catinca Tabacaru in Precious.jp
“「36歳になった今は20代に比べて精神的にも落ち着き安定している。そして弁護士だったころよりも心が元気で幸せですね。今の仕事では、自分の素直な気持ちを大切に、新しい物事と進撃に向き合うことができる。毎月ギャラリー内で生まれる新しい世界をアーティストとともに創造できて、とても満足しています」。誰もが反対する突然の転職宣言からわずか数年で、未来へと繋がる確かな道筋を切り開いた若き成功者。”
7.27.2017

Yapci Ramos in Tendencias TV
“Es importante el compromiso de este centro al dar visibilidad al arte creado por mujeres, porque hay que dar visibilidad de forma igualitaria, esto está claro.”
7.24.2017

Capucine Gros in French Morning
“Les flux migratoires, les conflits de territoires et les déclarations d’amour d’individus éloignés géographiquement, autant de sujets que l’artiste traite à travers la broderie, la superposition de cartes ou la sérigraphie sur canevas.” – Margaux Deuley
7.20.2017

Capucine Gros in WWD
“She explores the concept of borders — emotional and physical — through much of her work… She will add layers to the monochrome painting throughout the span of the gallery show everyday at 5 p.m.” – Kristen Tauer
7.18.2017

Mehryl Levisse in The Quietus
“The resultant photographs are gripping, and haunting, and they read as the projected images of the deep well of memories and limitless imagination of a fiercely talented artist.” – Adam Lehrer
7.16.2017

Implicit Borders: A Cartography of Free Will in Artnet
Editors’ Picks: 13 Things to See in New York This Week
7.10.2017

Mehryl Levisse in artcritical
“As with the material non-functionality of the masks, Levisse’s photographs transpose a classical or baroque sensibility to a contemporary setting.”
7.5.2017

Mehryl Levisse in Arte Fuse
“Deviations from traditional white-wall gallery presentations do not often result in flattering spaces that serve the works exhibited. Birds of a feather fly together, the current exhibition of works by French artist, Mehryl Levisse at Catinca Tabacaru Gallery, is a successfully mesmerizing anomaly even in the more experimental gallery district of the Lower East Side.” – Seung Hee Kim
6.29.2017

Mehryl Levisse in Slash Magazine
6.13.2017

Mehryl Levisse in Hyesteria
“And the more I learn about this universe the more I become amazed by the amount of cultural nuances and poignant details Levisse masterfully incorporates.” – Sara Catalán
6.12.2017

Mehryl Levisse in OUT Magazine
“Levisse’s display is a provocative, romantic ode… and it’s created one of the most alluring gallery shows of the year.” – Chris Thomas
6.9.2017

Mehryl Levisse on Artnet
Editor’s Picks: 15 THINGS TO SEE in New York This Week – Sarah Cascone
6.8.2017

Mehryl Levisse in VICE’s Creators Project
“Mehryl Levisse’s surreal nude portraits are an absurdist peep show of French decadence.” – DJ Pangburn
6.8.2017

Mehryl Levisse in i-D Vice
“And the sum is greater than all the very specific parts: being inside the show feels like exploring someone’s hippocampus and seeing all the strange images circulating there.” – Alice Newell-Hanson
6.8.2017

Mehryl Levisse in Musee Magazine
6.8.2017

Mehryl Levisse: Birds of a feather fly together in AWorkstation.com
“there is an air of mystery and decadence to Levisse’s exhibition”
6.8.2017

Mehryl Levisse announced by the French Embassy in the USA
6.1.2017

Admire Kamudzengerere and Rachel Monosov in The Nation
“As anger still looms over Dana Schutz’s painting of Emmett Till in this year’s Whitney Biennial—and many forms of discrimination continue to trouble our country and others—Kamudzengerere and Monosov staged a performance of aggression to take place right before people’s eyes.” – Alina Cohen
5.26.2017

Terra Nova in Quiet Lunch
“It is rare to find galleries that support their artists like Catinca Tabacaru does for her CTG Collective. Tabacaru takes her group of diverse artists to the farthest reaches of the globe to find inspiration, experience new worlds, start conversations and connect with the land.”
5.25.2017

CTG Collective in ART ZEALOUS
“Romanian-born Catinca Tabacaru has quite the resumé: originally a human rights attorney, she then switched gears and made a huge splash in the New York art world as a curator and gallery owner. Her most recent endeavor is an art collective that has taken her and several artists to some of the most remote places on the globe. We can’t wait for you to read the incredible stories she has to tell.” – Katita Miller
5.16.2017

Catinca Tabacaru in HEAPS Magazine
“ギャラリストが自らの名をそのままギャラリーの名にかぶせるというのは「ここは私の感性と審美眼を通してアートを発信するギャラリーです」という一つのサインだ。”
6.12.2017

Greg Haberny in VICE
“One property was missing a roof and several walls when Ashkenazy bought it and handed the keys over to New York artist Greg Haberny. The place is now known as the Hermitage Museum, its pristine white walls filled with abstract paintings and sculptures made mostly of wood and other junk Haberny scavenged from the streets.” – Jennifer Swann
4.19.2017

1972 in WEPRESENT
“By making up this extraordinary story of an unlikely couple sharing their lives together during a time of political turmoil, Rachel and Admire want us to ask ourselves what images will define our present moment?”
4.18.2018

Greg Haberny in LA Weekly
“A Post-Apocalyptic Town on the Salton Sea Has Become Home to SoCal’s Most Radical Art Fest” – Carmiel Banasky
4.18.2017

Catinca Tabacaru in BWW
“I learned new things about an old friend that makes me understand better how she has come so far so quickly in the art world and how impressive she really is.” – Barry Kostrinsky
3.28.2017

Admire Kamudzengerere in Forbes
“Kamudzengerere has gone on to create a powerful and broad archive of work that consists of painting, drawing, performance and video.” – Adam Lehrer
3.27.2017​

Admire Kamudzengerere in C&
The result is a series of dark portraits, sometimes made by a single line.
3.15.2017

Serra Victoria Bothwell Fels in BlOUIN ARTINFO
6 Rooms Not to Miss at Spring/Break 2017: Bothwell Fels was once trained as a social psychologist, and evidently understands what will make exhausted visitors totally bug out at the end of a fair-filled day. The generic white cabinets of this corporate storage space are, as the Wicked Witch of the West famously intoned, “Melting! Melting!” The Lower East Side gallery recently hosted Fels’s first New York solo, where a giant protuberance splitting the floorboards and structural fragments seemingly being ejected from the ceiling above left visitors equally unsettled.
3.3.2017

Greg Haberny in Whitewall Mag
SPRING/BREAK ​Art Show immersive installation featured
3.1.2017

3 projects at SPRING/BREAK in Hyperallergic
“Other fairs prune and primp their art for maximum market efficiency; Spring/Break allows curators and artists to let their freak flags fly.” – Hrag Vartanian
Featuring Greg Haberny curated by Catinca Tabacaru, Ambre Kelly and Andrew Gori; Serra Victoria Bothwell Fels curated by Catinca Tabacaru and Raphael Guilbert, and Edgar Sarin curated by Raphael Guilbert
3.6.2017

Gail Stoicheff featured in Art News
Venus Rising selected by Maximilíano Durón as one of best projects at SPRING/BREAK
3.3.2017

Serra Victoria Bothwell Fels in Vice
Serra Victoria Bothwell Fels curated by Catinca Tabacaru and Raphael Guilbert is selected by Vice from a group of 150 projects featuring 400 artists.
3.3.2017

16 Curators To Watch at SPRING/BREAK in Artsy
Featuring Greg Haberny’s installation curated by Catinca Tabacaru, Ambre Kelly and Andrew Gori – Casey Lesser
3.1.2017

Greg Haberny in Artnet
Unbelievable Installations at SPRING/BREAK
3.1.2017

Xavier Robles de Medina in Trendbeheer
Review in Dutch
2.23.2017

Xavier Robles de Medina in Forbes
“…highly detailed drawings, which provide compartmentalized, figurative hints to a larger emotional and political puzzle…” – Kurt McVey
1.31.2017

Xavier Robles de Medina in Vice
“…an example of the political conversation stoked by his art, an interpretation of the marriage of past and present.” – Abby Ronner
1.28.2017

Xavier Robles de Medina in EuropeanEcho
(listen)
1.20.2017

Xavier Robles de Medina in Blouin Artinfo
“These works are collaged and carefully cropped, depicting partially obscure figures that represent more of a fantasy than they conceal the facts.”
1.18.2017

Xavier Robles de Medina in Starnieuws
feature in Dutch
1.12.2017

Serra Victoria Bothwell Fels in Vice
Review by Noémie Jennifer
12.27.2016

Serra Victoria Bothwell Fels: a DEFECT // to DEFECT in NY Art Beat
TOP 3 SHOWS TO SEE IN NEW YORK
12.16.2016

Radouan Zeghidour’s HYPOGEA in COOL HUNTING
“One would fear, when putting an artist who has become known for temporary works in extraordinary, secret places within the walls of a gallery, that the magic would be lost. Fortunately, this isn’t the case with Radouan Zeghidour’s “HYPOGEA” at Catinca Tabacaru Gallery”
5.12.2016

Greg Haberny in Vice
“He destroys, guts, glues, staples, shoots, burns, deconstructs, dismantles, and blows things up in order to achieve new levels of the sublime.”
11.17.2016

Greg Haberny in ARTE FUSE
“What makes Haberny’s latest work so compelling is that he holds nothing back.”
11.17.2016

Admire Kamudzengerere & Rachel Monosov in TENDAYSINPARIS
Must see collaborative work Land For Sale at AKAA
10.11.2016

CTG-R: Zimbabwe in Mixte Magazine
“Pendant un mois, 3 artistes internationaux venant de New York, du Surinam et d’Israël, se sont mêlés à 10 artistes Zimbabwéens.”
11.8.2016

Catinca Tabacaru in allure
“Catinca Tabacaru is no stranger to stepping outside of her comfort zone.” – Jennifer Henderson
10.17.2016

Justin Orvis Steimer in The Huffington Post
“He is a humble, soft spoken artist with invaluable insight and understanding of the human existence.”
10.8.2016

Fragmented Time in ARTE FUSE
“In their latest group show, Catinca Tabacaru Gallery offers an intriguing, if heady, look at the large and mysterious topic of the nature of time.” – Jennifer Wolf
8.16.2016

Rachel Monosov in mousse magazine
“Monosov’s work, although diverse in medium, has the common goal of revealing the absurdity of how long-standing nationalistic and religious identities have no place in a globalized world that has the potential to become borderless.”
8.12.2016

Rachel Monosov in Time Out Toronto
Things to do this weekend…
7.15.2016

Sophia Wallace: Over and Over and Over in VICE
“Like the clitoris, the works in the queer conceptual artist’s new show are small but powerful.” – Lori Zimmer
5.30.2016

Over and Over and Over in Art-Nerd
“Sophia Wallace continues her oeuvre with phrases that challenge taboos, sexuality and censorship in luminous exhibition.”
5.27.2016

Over and Over and Over in Artsy
“Sophia Wallace Counters the cliches and stigma of radical feminist art.” – Charlotte Jansen
5.16.2016

Radouan Zeghidour: HYPOGEA in Vice, The Creators Project
“An art student by day and a secret detective by night.”
5.12.2016

Editors’ Picks: 8 Art Events in Artnet
“In his first New York exhibition, curated by Marie Salomé Peyronnel, Radouan Zeghidour offers six works…”
5.9.2016

Rachel Monosov in The Word Magazine
Seven Belgium-based artists to keep on your radar
4.13.2016

Zig Zag Zim in The Herald, Zimbabwe
“The adventure that is Zig Zag Zim started in the 2015 Venice Biennale where the National Gallery of Zimbabwe’s Curator, Raphael Chikukwa met New York Gallerist, Catinca Tabacaru…”
4.11.2016

CTG-R: Zimbabwe on State of the Arts NYC (Listen)
Catinca Tabacaru and Justin Orvis Steimer talk about CTG-R: Zimbabwe, the Gallery’s inaugural Residency program-turned Museum Exhibition with host Savona Bailey-McClain
4.1.2016

Shinji Murakami in artnet News
Art Events to Attend in New York This Valentine’s Day Weekend
2.14.2016

Shinji Murakami in The Creators Project: Vice
“The pixelated works embrace simplicity” – Review by Noémie Jennifer
2.12.2016

Shinji Murakami in Arte Fuse
“This is where Shinji delivers- a rare blend of defined improvisation within the precision of geometrical accuracy.”
2.3.2016

Xavier Robles de Medina on Gesprek Met
Kevin Headley interviews artist on Surinamese TV (Dutch)
1.15.2016

Devotion in artcritical
“Devotion… is a glorious jumble of contemporary works… Some of the works are overtly spiritual, but many are joyously press-ganged into ritualistic duties in a curatorial installation that is itself a hybrid… of chapel and wunderkammer.” – David Cohen
1.7.2016

Xavier Robles de Medina in European Echo
Interviewed by Charlie Clemoes about his work and the ​creativity involved in buying and consuming things
1.3.2016

Devotion in Installation Magazine
“Devotion is a thought experiment.” – William Corwin
1.3.2016

Empathy in arrested motion
“…the Tel Aviv-based artist [Addam Yekutieli] steps into more conceptual direction with this new series.”
10.15.2015

Empathy in JUXTAPOZ
Israeli artist Addam Yekutieli’s first solo exhibition at Catinca Tabacaru Gallery… A poignant series of text-based photographic diptychs pair site-specific outdoor pieces with images of people bearing hand poked tattoos of the works.
10.15.2015

Yapci Ramos in Wall Street International
“This powerful and affecting show runs at Catinca Tabacaru Gallery until October 11, 2016. If you are trekking through the Lower East Side galleries anytime​ soon, this gallery, which regularly presents amazing work, would be well worth your time.”
9.25.2015

Yapci Ramos in Paper Magazine
“In a New York art bubble that still seems to be dominated by the work of white male artists, Ramos’ exhibit featuring thought-provoking humanist portraits of disenfranchised women, and displayed in a gallery run by women, glimmers like a diamond in the rough.”
9.10.2015

Yapci Ramos in Blouin ArtInfo
“When you title your exhibition “Perras y Putas” —roughly, “Bitches and Whores” you’ve got to expect some level of controversy, ​or at least consternation.”
9.10.2015

Gail Stoicheff in REFINERY 29
5.11.2015

Xavier Robles de Medina in SCAD PAINTING DEPARTMENT BLOG
4.22.2015

14 Young Dealers To Watch In 2015 in Artnet
“If the future of the New York art world is in their hands, we might not be so screwed after all.” – Cait Munro
2.27.2015

5 Galleries To Watch in 2015 in OBSERVER
“We could be hearing these names a lot this year.” – Alanna Martinez
12.26.2014

Robin Kang in ArtSlant:
2013 ArtSlant Prize winner Robin Kang currently exhibiting works at Catinca Tabacaru Gallery.
11.13.2014

10 Must-Se Summer Group Shows in Blouin’s ARTINFO
Make It Big, Make It Red, Put A Crown On It
“Highlights: The bloody abstractions of Barnaby Furnas. Keywords: Crimson solidarity; exhibition titles that could double as hip-hop lyrics.” – Scott Indrisek
7.7.2014

Justin Orvis Steimer in Creem Magazine
1.1.2014