Nona Inescu in Wall Street Journal
Catinca Tabacaru at NADA Miami 2023
Also heady is the conceptual work by Nona Inescu at Catinca Tabacaru. Her photographs and objects, ranging from a hand wrapped in leaves and bark, to stones pinched and squeezed by metal cages, to an eerie coffin-like assemblage sprouting dried flowers, are intensely focused on the tension between the body and nature, one that can be rewardingly symbiotic or destructively extractive.
Dec. 8, 2023

Xavier Robles de Medina, Top 5 exhibitions to see in London before and during Frieze, FAD Magazine
Recreating book covers through drawing, nature footage in large scale and a sculptured painting of an image from fairy tales, this layered exhibition looks at both the artist’s tragic personal history involving a plane crash but also his Surinamese heritage and how colonialism has affected his homeland as a country that has been colonised by the French, the British and the Dutch – plus its national flower originates in India.
30.9.2023

Xavier Robles de Medina, London According to: Will Hine from GRIMM
4.10.2023

Xavier Robles de Medina, Epistemological diazepam, 500 Reviews
“Xavier Robles de Medina’s exhibition, ‘I will go away into the wild wood, and never come home again’, addresses this anxiety like an epistemological diazepam.” – Henry Tudor
22.9.2023

Ana Pascu, Review in New Genres
“The installation highlights two planes – one physical and one intangible, both explored through movement. Through the interaction of the characters moving along the screens and through the imposing presence of the oversized self observing from the outside, the installation presents the metaphysical journey within the human-environment relationship.” – Cosmina Marcela Oltean
19.7.2023

Ana Pascu on Radio Romania International
in conversation with Eugen Cojocariu
30.6.2023

Ana Pascu in Curatorial.ro
În încercarea de a evoca experiența umană complexă, Pascu își invită performerii să transgreseze pe ecrane multiple introducând simultan o figură supradimensionată a „sinelui” privind „în interior” din afara instalației, se arată în prezentarea expoziției.
30.6.2023

Ana Pascu, Towards Inmost, in Propagarta
Prin instalația video pe 5 canale, „Towards Inmost”, Ana Pascu invită privitorul într-o călătorie metafizică a descoperirii de sine și a conștientizării spațiale.
30.6.2023

Ana Pascu in Mutual Art
Ana Pascu’s 5-channel video installation invites the viewer to embark on a metaphysical journey of self-discovery and spatial awareness.
30.6.2023

Ovidiu Toader, In Another Life I Was A Stone, in O FLUXO
Ovidiu Toader’s recent artistic projects stage environments that challenge the relationships between beholders and objects, beholders and space, objects and space.
4.6.2023

Dublu vernisaj la galeria Catinca Tabacaru, RFI Romania
La Galeria Catinca Tabacaru din Bucuresti a avut loc saptamana trecuta un dublu vernisaj: două expoziții personale semnate de artiștii români: Ioana Stanca: ‘‘it will not be simple, it will not be long” curatoriată de Diana Marincu și Ovidiu Toader: ‘‘In Another Life I was a Stone” curatoriată de Daria Nedelcu.
28.4.2023

Dublu vernisaj la Galeria Catinca Tabacaru, Revista E-Zeppelin
Galeria Catinca Tabacaru anunță deschiderea a două expoziții personale semnate de artiști români: Ioana Stanca – „it will not be simple, it will not be long”, curatoriată de Diana Marincu, și Ovidiu Toader – „In Another Life I was a Stone”, curatoriată de Daria Nedelcu.
26.4.2023

Double Opening: Ioana Stanca & Ovidiu Toader at Catinca Tabacaru Gallery, Revista PropagArta
‘Galeria Catinca Tabacaru este încântată să anunțe deschiderea a două expoziții personale semnate de artiștii români: Ioana Stanca: ”it will not be simple, it will not be long” curatoriată de Diana Marincu, și Ovidiu Toader: ”In Another Life I was a Stone” curatoriată de Daria Nedelcu.’
26.4.2023

Ovidiu Toader in MutualArt
‘Catinca Tabacaru Gallery is thrilled to present Romanian artist Ovidiu Toader’s first solo exhibition with the Gallery, In Another Life I was a Stone, curated by Daria Nedelcu. Ovidiu Toader’s interest in heterotopias dominates the scene of In Another Life I was a Stone. A sterile environment calls to mind the futuristic laboratory where technology intersects magical thinking. Plantoid entities, made of blown metal forms are frozen in mid-motion as they study the remains of an indefinite past staged on a human shaped glass worktable. They are witnesses to an event suspended in time, looking down at a collection of stones which serve as subject of analysis and decoding. The installation works as a diorama, enclosing a situation where ambiguity persists and a viewer’s body is forced into and uneasy relationship with the objects and actions around him or her.’
26.4.2023

Ovidiu Toader in Revista Biz
“Interesul lui Ovidiu Toader pentru heterotopii domină scena din In Another Life I was a Stone. Instalația funcționează ca o dioramă, încadrând o situație în care ambiguitatea persistă, iar corpul privitorului este plasat într-o relație inconfortabilă cu obiectele și acțiunile din jurul său. Toader își propune să reflecteze critic și creativ în legătură cu un prezent problematic care poate fi citit în cheie colectivă.”
25.4.2023

Ovidiu Toader in Ziarul Toate Bloggurile
“Proiectele artistice recente ale lui Ovidiu Toader pun în scenă ambianțe care propun alte raporturi între spectatori și obiecte, spectatori și spațiu, obiecte și spațiu.”
25.4.2023

Ovidiu Toader, In Another Life I Was A Stone in Zile și Nopți
Nu numai că o imagine poate găzdui o altă imagine accesibilă privitorului dintr-o altă perspectivă, dar această repoziționare și dublă descifrare generează o ambiguitate care deschide un spectru de posibilități. În cazul noului proiect artistic al lui Ovidiu, ambianța creată conține perspective multiple, din care doar anumite elemente pot fi descoperite.
25.4.2023

Ovidiu Toader, In Another Life I Was A Stone in Modernism
‘Instalația funcționează ca o ramă, ca o încadrare a unei situații în care ambiguitatea persistă, în vederea reflectării critice și creative în legătură cu un prezent problematic care poate fi citit în cheie individuală sau colectivă. ‘
25.4.2023

Ioana Stanca in MutualArt
‘Catinca Tabacaru Gallery is happy to announce this first solo exhibition by Romanian artist Ioana Stanca. This follows a multi-year collaboration between the Gallery and the Artist which includes a symposium and group exhibition in 2021.’
24.4.2023

Ovidiu Toader in Curatorial.ro
Prima expoziție personală a lui Ovidiu Toader la Galeria Catinca Tăbăcaru
24.4.2023

Ovidiu Toader, In Another Life I Was A Stone in România Pozitivă
În expoziția de față, interesul pentru heterotopii și pentru alte tipuri de implicare a spectatorului, se manifestă prin insinuarea prezenței unui laborator. În el, se țese un scenariu futuristic în care elemente tehnologice și cele de gândire magică se intersectează. Această ambianță e corelată cu ipostaza artistului ca explorator, iar metoda pare a fi „înstrăinarea lumii pentru lume”.
24.4.2023

Ioana Stanca in Curatorial.ro
Ioana Stanca, prima expoziție personală la Galeria Catinca Tăbăcaru.
20.4.2023

Ioana Stanca, it will not be simple, it will not be long in Modernism
‘ În ultimii ani, artista și-a creat un vocabular propriu foarte convingător, în care a distilat experiența sa anterioară de pictor, dar și pe cea de femeie care-și amintește totul – o femeie care înglobează experiența genealogiei sale, dar și miturile ancestrale ale unei condiții creatoare prin excelență.’
20.4.2023

Ioana Stanca, it will not be simple, it will not be long in Zile și Nopți
Ioana Stanca reunește în această expoziție cele mai recente creații ale sale, asamblate și colate într-o poveste despre fragilitate, forță și toate dualitățile care ne compun existența.
20.4.2023

Terrence Musekiwa talks about his solo show with Propagarta
“In my works, springstone is a symbol for the culture that survives. This stone speaks about Zimbabwe and it is directly connected to the ancestral energies that guide us and that we follow. I put this special stone in relation to other more contemporary materials, that, in contrast, are man-made. Wires talk about connections, bullets talk about conflict and conflict’s long history in our country, and so on.”
22.2.2023

Terrence Musekiwa, Pesvedzero Isingazivikanwe in Revista Atelierul
“Unele lucruri, nu le cunoaștem… există anumite energii în cultura noastră africană pe care le urmăm pentru că altfel ne vor costa pe termen lung .” – Terrence Musekiwa
25.1.2023

Terrence Musekiwa in Revista Zeppelin
“În vastul spațiu industrial al Galeriei din București, Musekiwa montează 11 sculpturi noi a căror încărcătură de materiale deschide o fereastră către spațiul conceptual al maximalismului african. Multe dintre acestea depășind înălțimea staturii umane, sculpturile sunt impregnate de convingerea artistului asupra existenței unei conexiuni tactile între lumea celor vii și tărâmurile ancestrale.”
24.1.2023

Terrence Musekiwa, Pesvedzero Isingazivikanwe / Influența Necunoscutului in Curatorial.ro
“11 sculpturi noi și maximalismul african. Practica lui Terrence Musekiwa se situează la intersecția influențelor interioare și exterioare care ne construiesc adevărul și ne modelează caracterele.”
23.1.2023

Terrence Musekiwa in Arte Vezi
Influența necunoscutului. O nouă expoziție a artistului Terrence Musekiwa la Galeria Catinca Tabacaru.
23.1.2023

Terrence Musekiwa, Influența Necunoscutului in Zile și Nopți
“Influența Necunoscutului, a treia expoziție personală a artistului zimbabwian Terrence Musekiwa în cadrul Galeriei Catinca Tabacaru și prima la București”
23.1.2023

Terrence Musekiwa, Pesvedzero Isingazivikanwe (Influence of the Unknown), in România Pozitivă
“Musekiwa’s traditional approach to the toiling of stone is sourced from his ‘Chikaranga’ ancestry. Bringing in contemporary methods of sculpting and assemblage, his selection of materials, everyday objects and historical artifacts follows a narrative thread.”
23.1.2023

Malaimare, Pălimariu & Tabacaru for Radio Romania International
“Galerista şi curatoarea Catinca Tăbăcaru despre cele 3 evenimente de final de an şi despre alte proiecte ale galeriei de artă pe care o conduce.” – Eugen Cojocariu
23.12.2022

Catinca Malaimare in KUBAPARIS
“Suggesting not just a technical, but an affective codependency between us and our screens, Emergency Ex conjures a not-so-distant future where face and interface have become indistinguishable.”
19.12.2022

Catinca Malaimare in Zile Si Nopti
… Emergency Ex (2022), un film de Catinca Malaimare ce redă o întâlnire intimă între corpuri umane și mașinării.
16.12.2022

Catinca Malaimare in Propagarta
…artista Catinca Malaimare în cadrul unui screening cu elemente performative și un dialog cu artista.
16.12.2022

Emergency Ex in Romania Pozitiva
“ Într-o coregrafie de mișcare, sunet și lumină, organisme umane și non-umane devin parteneri egali în crearea unui mediu senzual și atipic. Sugerând o codependență nu numai tehnică, dar și afectivă între noi și ecrane, Emergency Ex evocă un viitor proxim în care diferențierea dintre față și interfață a devenit imperceptibilă.”
16.12.2022

Catinca Malaimare in Modernism
Emergency Ex, o instalație de lumină, sunet și video semnata Catinca Malaimare la Galeria Catinca Tabacaru.
8.12.2022

Emergency Ex in Curatorial.ro
O instalație de lumină, sunet și video semnată Catinca Malaimare va fi expusă la Galeria Catinca Tăbăcaru din București pe 16 decembrie.
8.12.2022

In the Studio with Xavier Robles de Medina, Daily Lazy
24.11.2022

Kateryna Lysovenko, Reviewed in ARTFORUM
“The palette is not the artist’s only reference to the ongoing attacks, but Lysovenko treats her canvases like classical topoi, so that their iconography can easily stand for other struggles.” – Maximilian Lehner
24.11.2022

Două expoziții în premieră la Catinca Tabacaru Gallery, CURATORIAL.RO
Două expoziții în premieră semnate de artistele Daniela Pălimariu (România) și Kateryna Lysovenko (Ucraina) vor fi vernisate pe 13 octombrie, între orele 18:00 și 22:00, la Galeria Catinca Tăbăcaru din București. – Liana Ion
10.11.2022

Rachel Monosov in La Stampa
‘dal vetro alla schiuma i materiali scelti dagli artisti raccontano la precarietà di questi anni’
Nov 6, 2022

All the Rumors are True and Something for Everyone, in Zile Și Nopți
Desfășurate pe teritoriu comun, dar în două spații diferite ale galeriei, expozițiile investighează, pe rând, paradigma obiect/spațiu, interior/exterior și instinctul de adăpostire în cazul Danielei Pălimariu; și schimbările politice care generează evenimente tragice, în cel al artistei Kateryna Lysovenko.
1.11.2022

Daniela Pălimariu & Kateryna Lysovenko in Empower Art & Artists
Expoziția ce va cuprinde lucrările Danielei se numește All the Rumors are True și va urmări ilustrarea viziunii sale asupra instinctului de adăpostire, iar cea a Katerynei poartă denumirea de Something for Everyone și prezintă efectele dezastroase ce pot fi cauzate de schimbările politice, dat fiind contextul ruso-ucrainean actual.
25.10.2022

Catinca Tabacaru și Daria Ghiu la Orașul vorbește, Radio Romania Cultural
O cronică prefațată de galerista Catinca Tăbăcaru a expozițiilor artistelor Daniela Pălimariu (“All the Rumors are True”) și Kateryna Lysovenko (“Something for Everyone”), deschise între 13 octombrie și 3 decembrie la Galeria Catinca Tăbăcaru din București.
21.10.2022

Daniela Pălimariu, All the Rumors are True, Artforum’s MUST SEE
All the Rumors are True by Daniela Pălimariu at Galeria Catinca Tabacaru is currently featured on Artforum’s “Must-See Shows” list, editors’ selection of essential exhibitions worldwide.
15.10.2022

Daniela Pălimariu & Kateryna Lysovenko in Artevezi
Desfășurate pe teritoriu comun dar în două spații diferite ale galeriei, expozițiile investighează pe rând: paradigma obiect/spațiu, interior/exterior și instinctul de adăpostire în cazul Danielei Pălimariu; și schimbările politice care generează evenimente tragice, în cel al artistei Lysovenko.
12.10.2022

Ranti Bam, Common Ground in Artevezi
O RESUSCITARE SINESTEZICĂ DE NAG ÎN SPAȚIUL ALTERNATIV AL GALERIEI CATINCA TĂBĂCARU
- Voichița Horea
4.10.2022

Ranti Bam is searching for Common Ground, review in Contemporary&
In her first solo show the British-Nigerian artist displays her delicate and tender clay hearths, and here she offers her insights on the commons and spirituality. – Tobi Onabolu
30.9.2022

Ranti Bam, Common Ground in Cermaics Now
28.9.2022

Ranti Bam, Common Ground in Senso Arte
Opera artistei reflectă pluralitățile istoriei sale personale marcată de viața trăită între Africa și Europa, integrând astfel cultura vizuală și spirituală a două lumi diferite și a modului în care acestea se întâlnesc/ciocnesc astăzi. – Bogdana Contras
20.9.2022

Rachel Monosov in Vogue IT
Hypermaremma 2022 revives the territory through art and dreams
“…The entire development of the performance focuses on the gestures and tones of a suspended atmosphere, not identifiable on an emotional level and which removes various points of reference from the observer, bringing attention back to the romantic essence of living beings.” – Paolo Armellini
22.7.2022

Rachel Monosov in Flash Art IT
“The entire development of the performance focuses on the gestures and tones of a suspended atmosphere, not identifiable on an emotional level, which partly reflects the current historical period. Underlining the force of time in its indeterminacy, it removes various points of reference from the observer, bringing attention back to the romantic essence of living beings.”
18.4.2022

Rachel Monosov, Interview in T-Magazine IT
“My practice has such diverse manifestations – because the questions I have need their own means of addressing, they are expressed in different formats. I’m also interested in how a film could be part of a performance and how sculptures could influence the movement of dancers. I think since I also have degrees in Cinema, Fine arts, and Photography it feels natural for me to work in this way.” – Interviewed by Anna Vittoria Magagna
24.6.2022

Rachel Monosov in conversation with Hypermaremma Connect
Rachel Monosov in conversation with Giorgio Galotti and Matteo d’Aloja about her performance Impossible meeting point.
20.6.2022

Rachel Monosov, Review in Tanzschreiber
“In Rachel Monosov’s dance performance Landscape of Comfort Tamar Grosz, Camilla Brogaard and Julia Shelkovskaia stage a festive parade with scooters. [..] In German, Julia Shelkovskaia asks us to sit down again: “Today we are making history.” – Janine Muckermann
12.6.2022

Rachel Monosov, Interview for Cashmere Radio
“There is an almost brutal sense of movement in relation to the object.”
10.6.2022

Catinca Tabacaru Gallery in Ocula Magazine
“New York gallery Catinca Tabacaru, participating at the fair for the first time, said they were able to gain a sense of local sentiments from abroad as their artists and gallery team ‘spent 40 hours on zoom, available during the entire duration of the fair. [We] spoke to several hundred people, among them some important curators, writers, and collectors.’” – Sarah Wei
6.6.2022

Xavier Robles de Medina in CCN Style
Art Basel Hong Kong
May 31, 2022

Xavier Robles de Medina, Young voices at Art Basel Hong Kong
“The Berlin-based artist Xavier Robles de Medina paints unnervingly meticulous replications of archival photographs. In keeping with its evocative title, What if the tongue is cut out?, his presentation with Catinca Tabacaru (Bucharest) is full of pictures rooted in invasion and excavation. By rematerializing the images as artworks, Robles de Medina confronts the presumed right to intrude that is common to the histories of photography and colonialism.” – Nicholas Nauman
31.5.2022

Xavier Robles de Medina in CNN Style
“Xavier Robles de Medina’s eye-catching replications of archival photographs were also shown in the [Discoveris] section — and while the artist wasn’t able to fly in, an iPad screen positioned next to a makeshift sign reading “come talk to the artist and gallerist” sat at the Catinca Tabacaru booth’s table with both Robles de Medina and founder Tabacaru dialed in from Bucharest, Romania.” – Stephy Chung
31.05.2022

Catinca Malaimare, Interview with Monika Husar, 20th Biennial of Art Pančevo
Artist Catinca Malaimare in conversatio with Monika Husar on the occassion of the 20th Biennial of Art Pančevo.
20.5.2022

Catinca Malaimare for Radio Romania International
“Până pe 19 iunie, la București, la Galeria Catinca Tăbăcaru, e în desfășurare expoziția de grup Dreams Made Flesh/Vise încarnate, la care a spus prezent și artista română stabilită la Londra, Catinca Malaimare.”
12.05.2021

State of Emergence, Recomandari
“Expoziţia State of Emergence aduce în prim plan lucrările a 13 artiști ucraineni, printre care și ale Dashei Chechushkova, care realizează instalații alăturate de videograme, descriind într-o manieră diaristică degradarea, dacă nu chiar distrugerea imaginii sale de sine.” – Ioan Big
10.5.2022

Catinca Tabacaru on State of Emergence for Radio Romania International
Galeria Catinca Tăbăcaru propune publicului expoziția “Stare de Emergență”, care reunește 13 artiști ucrainieni.
- Eugen Cojocariu
15.04.2022

I Suddenly Unfurled Many Eyes, Ioana Stanca in PropagArta
“Pentru expoziția personală I Suddenly Unfurled Many Eyes / Brusc am deschis mulţi ochi, artista propune o instalație mixed media – care va ocupa spațiul central al Galeriei Brâncuși a ICR New York -, precum și piese brodate care explorează temele intimității și identității feminine.”
14.4.2022

State of Emergence in Modernism
“Cu această expoziție, produsă în plină stare de urgență, dorim să vă facem să simțiți vibrațiile unei emergențe fără precedent. Vrem să vă facem să vedeți Ucraina ca un spațiu în care, printre rămășițele unei realități distruse, cresc lăstarii unei noi lumi. În ciuda ororilor războiului, scena de artă din Ucraina se dezvoltă în continuare prin inițiative proaspete, idei noi și practici de solidaritate. În contextul situației alarmante privind prezervarea moștenirii culturale ucrainiene, Catinca Tabacaru și Lesia Kulchynska se concentrează asupra comunității de artiști emergenți.” – Lesia Kulchynska
11.4.2022

Catinca Tabacaru on solidarity with Ukrainian artists for Arte Frumoase
O ediție dedicată solidarității, Arte frumoase de astăzi urmărește gesturi de solidaritate cu refugiații din Ucraina, gesturi venite prompt, imediat, începând cu data de 24 februarie – acțiuni care aparțin scenei de artă contemporană din România.
- with Daria Ghiu
2.4.2022

I Suddenly Unfurled Many Eyes, Ioana Stanca in Jurnalul National
“Proiectul, intitulat I Suddenly Unfurled Many Eyes / Brusc am deschis mulţi ochi și curatoriat de Catinca Tăbăcaru, evidențiază metoda ingenioasă a artistei și alegerea neobișnuită a materialelor, în primul rând textile, și ilustrează, pe lângă abilitatea tehnică excepțională, o căutare constantă a unei geografii personale, intime, în continuă transformare, ca metaforă a eului feminin.”
24.3.2022

I Suddenly Unfurled Many Eyes, Ioana Stanca in Romania Pozitiva
Debutul Ioanei Stanca în New York
“Cu impresionante abilități tehnice, Ioana Stanca explorează o geografie personală și intimă, în continuă transformare – metaforă a eului feminin.”
23.3.2022

Staycation artist Ana-Maria Ștefan in Scena9 Magazine
“Când am primit provocarea de a face parte din grupul de artiste românce implicate în proiect, nu m-am gândit unde mă va purta, însă ce a urmat a fost unul din cele mai intense exerciții de vulnerabilitate la care m-am supus.”
11.2.2022

DOI JOI in PROPAGARTA Magazine
Doi Joi este despre colaborare, despre colectivitate și solidaritate. Începând cu o idee a Catincăi, toate aceste spații s-au pus de acord să construiască o comunitate. … în a doua zi de joi din fiecare lună, să ofere ceva de văzut publicului interesat de artă. Un program extins de vizitare, vernisaje și evenimente speciale comunicate la unison. Mai important, este o rețea din care fac parte, la ora actuală, multe dintre cele mai cunoscute și mai prezente spații expoziționale bucureștene.
10.2.2022

STAYCATION featured in KubaParis
This group exhibition addresses these dualities not simply through verbal correlation, but through an immersion into the physical practices of each artist in dialogue with a place they inhabit(ed) alone and together.
28.1.2022

Video Interview: Staycation for Daily Magazine
Acest dialog vizual documentează incertitudiniile prezentului și viitorului nostru apropiat intr-o discuție intensă despre artă impreuna cu cele 16 artistele si doua dintre curatoarele proiectului transnațional, Staycation. – Andreea Mihalache
10.1.2022

Chioma Ebinama in Arte Fuse
The title A Spiral Shell, is a surprise as there are no shells nor spirals in any of these figurative works. It refers to Italo Calvino’s short story, The Spiral, from his book Cosmocomics..
7.1.2022

Staycation, O poveste despre conexiuni umane și artistice, Cotidianul.ro
Propunerea funcționează ca un experiment care documentează incertitudinea prezentului și viitorului nostru prin împărtășirea experiențelor personale ale artistelor din Berlin și București într-un simpozion de șase zile în vara anului 2021. Ea examinează subiecte precum maternitatea în lumea artei, rolurile sociale preluate sau moștenite în spațiul domestic, ecologie și localitate.
6.1.2022

Staycation – Perspective asupra identitatii femeii in The Institute
“În luna decembrie a avut loc vernisajul expoziției STAYCATION, expoziție care a adus împreună lucrările a șase artiste din Berlin și șase artiste din România într-o colaborare transnațională. Am vorbit cu cele 12 artiste și le-am rugat să ne spună câteva cuvinte atât despre lucrările lor, cât și despre perspectiva lor asupra femeii și a identității acesteia.” – Andra Mihai
4.1.2022

On our radar: Încheie anul cu opt expoziții, Glamour Romania
Expozitia Staycation aduce la un loc lucrarile a sase artiste din Berlin – Yen Chun Lin, Isabella Fürnkäsm Bethan Hughes, Rachel Monosov – si sase artiste din Romania – Catinca Malaimare, Daniela Palimariu, Ana Pasca, Ioana Stanca, Lera Kelemen, Ana-Maria Stefam – intr-un dialog despre perceptia maternitatii in lumea artei, rolurile sociale preluate sau mostenite in spatiul domestic, prezent, viitor, solidaritate si reciprocitate. – Irina Munteanu
27.12.2021

Curator’s Talk: Catinca Tabacaru & Daniela Palimariu for Radio Romania International
“Staycation a inceput din dorinta de a crea o situatie in care sa petrecem 7 zile impreuna, 12 artiste, 12 creatore, discutand despre lume, pandemie, ecologie si viata.” – Catinca Tabacaru
16.12.2021

STAYCATION in Modernism.ro
Un proiect realizat de CTG Collective, Sandwich și Galeria Catinca Tabacaru
11.12.2021

Catinca Tabacaru discussing STAYCATION with Mihaela Dedeoglu, RFI Romania
Galeria Catinca Tabacaru și Sandwich propun in luna decembrie Staycation, o expoziție care aduce împreună lucrările a șase artiste din Berlin și șase artiste din România într-o colaborare transnațională – o concluzie și un răspuns direct la un simpozion desfășurat în vara anlui 2021, unde participantele s-au cunoscut și au fost introduse orașului-gazdă, București.
10.12.2021

STAYCATION in Romania Pozitiva
Găsirea unei conexiuni între pandemie și retorica feministă nu pare a fi imediat la îndemână. Ce au de-a face, de exemplu, coacerea unei focaccia, o expediție prin Delta Văcărești, somnul colectiv cu ecologismul și solidaritatea? Dialogurile si atelierele din cadrul Staycation au avut un ritm blând, domol, considerând momentul prezent ca valoare de bază în etosul expoziției.
9.12.2021

STAYCATION in The Institute.ro
Staycation este un proiect utopic în care dérive-ul este central abordării generale, viața femeilor este cufundată în cotidian, punând sub semnul întrebării straturile psiho-sociale și ecologice ale traiului lor colectiv.
- Andra Mihai
8.12.2021

Chioma Ebinama in Metal Magazine
Play Is A Form Of Resistance
‘My sociological eye can’t be closed and sometimes taking it all in feels so violent.’ – Chioma Ebinama
6.12.2021

Chioma Ebinama in Contemporary Art Society
“This exhibition creates an atmosphere to reflect upon duality, spirituality, religion, mythology, geomancy, feminism and Nigerian culture. It seems a space to tell stories and reveal secrets. Like in a ritualistic edifice Chioma Ebinama creates a space to rest, reflect and recharge from the instability and uncertainty around us.” – Ilaria Puri Purini
3.12.2021

Troy Makaza shortlisted for The Legacy Purchase Program
Resonating with traditional modes like weaving and tapestry but unequivocally contemporary, Makaza’s works articulate the conversation of what African and uniquely Zimbabwean contemporary can be – a paradigm internationally engaging and locally compelling. – Tafadzwa Madzika
3.12.2021

Chioma Ebinama in Artforum
“Like the artist, who has lived nomadically in recent years, these works give the impression of being unmoored. This sense of drift, along with the escapist nature of the watercolors, conflate with themes of Blackness, femininity, and mythology, offering a dreamscape of animistic creatures to reckon with the uncertainty of our immediate future.”
Critic’s Pick by Gwen Burlington
1.12.2021

Troy Makaza in magazine Kunst
Political messages turn into surreal, candy-like wonders in the colorful work of Zimbabwean visual artist Troy Makaza.
interview by Anders Holbæk
1.12.2021

Troy Makaza in ArtNews
“…[Makaza] whose art blur the bounds between painting and sculpture, and resemble wall-hung cascades of woven forms.” – Alex Greenberger
30.11.2021

Chioma Ebinama in Frieze
“In suspending the works this way, Ebinama designates the gallery walls as mere suggestions of spatial boundaries.”
Review by Adjoa Armah
25.11.2021

Chioma Ebinama in Frieze
The solo exhibition at Maureen Paley, London, expands the artist’s long-established interests in animism, cosmology and non-Western folklore traditions. – Adjoa Armah
21.11.21

Chioma Ebinama in Artforum
Critics’ Picks by Gwen Burlington
30.10.2021

VIDEO+RADIO+LIVE in Revista ARTA
“The video works offer a multiplicity of contexts and visions that lend each other space, being united at the same time by a core idea, that of being visible in a context where participation and interaction are constrained and diminished by external events, often transformed from live events into recordings.” – Daniela Custrin
28.10.2021

Chioma Ebinama in E-flux
“Spirits from Igbo mythology evoked in Chioma Ebinama’s blue-tinted drawings join the company of feminine figures dancing with lion, wolf and bear in sculptures by Kiki Smith.”
11.10.2021

Catinca Malaimare in Artforum
“…a techno-sensual affair involving moving screens, LED lights, and suspended chains. Dressed in a yellow onesie, Malaimare rolled, tossed, and turned while cuddling with neon cords, as we in the audience adjusted to being together again.” – Osman Can Yerebakan
8.10.2021

VIDEO+RADIO+LIVE in ARTEVEZI
“În ciuda interdicțiilor pandemice, care au avut loc și care există în prezent, expoziția ”VIDEO+RADIO+LIVE” reușeste să înglobeaze evoluția practicii performance; și astfel, demonstrează un spirit de supraviețuire prin puterea de a comunica cu gestul. ”VIDEO+RADIO+LIVE” evidențiază schimbările semnificative pe care arta performance este gata să le prelucreze cu ajutorul noilor tehnologii media.” – Stanca Soare
11.10.2021

Haipere nyaya yacho in modernism.ro
Titlul expoziției se traduce prin „Povestea nu se termină aici”. Este o atitudine plină de speranță, pe care cei născuți liberi („born-frees”) o dețin, în ciuda evidențelor care demonstrează contrariul. Ca majoritatea tinerelor generații globale, cei doi artiști refuză să accepte că ceea ce își dorește vechea gardă (adesea acționând în propriul interes) trebuie să rămână sistemele active de valori ale viitorului nostru apropiat.
7.10.2021

VIDEO+RADIO+LIVE in Zilesinopti.ro
Prin expunerea publicului la o comunicare hibridă, VIDEO+RADIO+LIVE propune o viziune a artei ce poate coexista și se poate adapta limitelor geografice, sociale și politice ale momentului, încurajând crearea unei comunități prin cultură și a unui dialog între audiență, organizatori și invitați.
01.10.21

Catinca Malaimare Art Fridays: Studio Conversations with Catinca Malaimare, Romanian Cultural Institute (NY, USA)
23.7.2021

Catinca Malaimare in Zilesinopti.ro
“Nu există moment în viaţa noastră când nu suntem un consumabil vizual”
14.7.2021

Xavier Robles de Medina in Zilesinopti.ro
“Foarte rar mă apuc de o lucrare cu un gând clar, nu asta e abordarea mea”
1.6.2021

Dreams Made Flesh in Propagarta
“Expoziția pleacă de la premisa că o abordare queer ne poate elibera de monotonia unei vieți prescrise și poate crea noi culturi materiale, rezistând opresiunii normativității. Dialogul creat de lucrările expuse se bazează pe potențialul existent în obiectele asupra cărora ne proiectăm reflecțiile, prin care ne recreăm emoțiile, cu care ne încântăm sau ne înfrumusețăm.”
18.05.2021

Catinca Tabacaru on Antena 3
Video Reportaj: Noul spatiu al galeriei deschis la Bucuresti in plina pandemie. “Ma simt acasa.”
3.14.2021

Yapci Ramos in LA PROVINCIA
“The artist Yapci Ramos portrays the collective crying in the video installation Lloro”
4.9.2021

Chioma Ebinama in Zilesinopti.ro
Una dintre expoziţiile remarcabile de artă contemporană din această primăvară, noroi & fluturi (mud & butterflies), deschisă până pe 24 aprilie la Catinca Tabacaru Gallery din Bucureşti, îi aparţine tinerei artistei americane de origine nigeriană Chioma Ebinama (n. 1988), un spirit nomad prin culturi şi mitologii din toate timpurile sau punctele cardinale – ale căror simboluri, narative şi estetici sunt reinterpretate în hibrizi conceptuali cu fundament organic original – ce aminteşte involuntar de un alt artist de peste Ocean cu o identitate ieşită din normele şi stereotipurile rasiale, afro-cubanezul Wifredo Lam.
4.9.2021

Catinca Tabacaru in Daily Magazine
“Misiunea noastră spune tot: suntem alimentați de libertate, iubire și creativitate. Sunt aici să servesc arta. Să susțin acei artiști care își fac treaba de dragul nostru.”
4.8.2021

Terrence Musekiwa on Heart and Soul ZIM
Radio program: “The artists who will represent Zimbabwe at the 59th International Art Exhibition at La Biennale di Venezia in 2022 have been announced”
4.1.2021

Terrence Musekiwa in The Herald, Zimbabwe
“Among the four artists who will represent the country at the 59th Venice Biennale, the most prestigious cultural and creative industries’ global event, is Terrence Musekiwa.”
3.30.2021

Terrence Musekiwa in Culture Type
“Four artists have been selected to represent Zimbabwe at the 59th Venice Biennale in 2022…”
3.22.2021

Catinca Tabacaru on RFI Romania
Tur ghidat prin expozitia “mud & butterflies” (“noroi și fluturi”) a artistei Chioma Ebinama. “De fapt, noroi si fluturi, vorbeste despre noi, astazi.”
3.16.2021

Rachel Monosov in Zilesinopti.ro
“Sigur, absolut, mai cu seamă acum – când suntem martorii atâtor schimbări politice majore, când căutăm alternative la capitalism, când ne întrebăm ce înseamnă cu adevărat democraţia – trebuie să privim înspre propriul trecut, trebuie să înţelegem ce a fost comunismul…” – Rachel Monosov
3.1.2021

Catinca Tabacaru on Radio Romania International
Audio: Interview in Generatia Viitoare cu Catinca Tabacaru
1.22.2021

Sanja Latinović in Zilesinopti.ro
“Substanţa unei lucrări e dată de abilitatea ei de a comunica cu cât mai mulţi oameni”
1.1.2021

Catinca Tabacaru in zile nopti
„Îmi aleg artiștii cum mi-am ales soțul, cu inima”
12.24.2020

Catinca Tabacaru Gallery in The Institute
Catinca Tabacaru Gallery will open on December 5 in Bucharest
12.4.2020

Galeria Catinca Tabacaru in modernism.ro
În București, Galeria va cotinua să scoată în evidență artiști emergenți, a căror creație este relevantă pentru timpul actual. Mulți dintre ei abordează teme socio-politice legate de țările din care provin: post-comunism, post-colonialism, rasă, migrație, gen, identitate, mit și spiritualitate.
12.3.2020

Yapci Ramos in Diario de Avisos
“Yapci Ramos, a video artist and photographer from Tenerife, launches and directs Immaterial, a multidisciplinary project…”
12.2.2020

Terrence Musekiwa in Artistikrezo.com
“Terrence Musekiwa uses golf clubs to create two snakes about to strike or run away (Chinyoka muvhu) for the exhibition Bêtes de scène in Paris.”
10.4.2020

Terrence Musekiwa in RCF Radio
“Among the artists chosen to explore recycling in contemporary sculpture for the Recyclage/ Surcyclage exhibition at The Villa Datris Foundation is Terrence Musekiwa.”
9.7.2020

Justin Orvis Steimer in the New York Times
“A critic’s tour deciphers the signs and symbols of the street art adorning boarded-up storefronts. What it tells us about our shared political realities and the ways our stories are connected.”
8.6.2020

JasminFire in Art Africa
“a short film about things that need to change and things that led us to this point.”
7.27.2020

Xavier Robles de Medina in tzvetnik.online
‘Faya Lobi’ by Xavier Robles de Medina at Praz-Delavallade, Paris
5.20.2020

The Far Away Is Here in HYPERALLERGIC
In-depth review of Sanja Latinović’s Abandoned: “The video comes out of a master class taught by Serbian-born Marina Abramović, and a look at Latinović’s website reveals an artist who has absorbed the performance legacy forged by women like Abramović, Regina José Galindo, and Alex McQuilkin, making it her own with uncommon power and imagination.”
5.16.2020

Xavier Robles de Medina in Whitewall
SCAD Museums: Diversity in Voices and Views
3.5.2020

Catinca Tabacaru on Marius Tuca Show
Arta a crescut in pandemie, lumea a avut timp să respire, a fost o creștere de conștiință, spune Catinca Tabacaru.
12.3.2020

Chioma Ebinama in Hyperallergic
Your Concise Guide to Armory Week 2020
3.2.2020

Chioma Ebinama in gallery gurls
Interview
3.1.2020

CTG Harlem in artnet
Editors’ Picks: 19 Things Not to Miss in New York’s Art World This Week
2.25.2020

Xavier Robles de Medina in Connect Savannah
5 Questions with Xavier Robles de Medina
2.12.2020

Serra Victoria Bothwell Fels in designboom
“she creates mountain-like installations that emerge from the ground, challenging our mundane expectations of surrounding environment…”
1.31.2020

Serra Victoria Bothwell Fels in This is Colossal
“Floorboards Burst in Destabilizing Wood Installations by Serra Victoria Bothwell Fels”
1.30.2020

Yapci Ramos in El Temps de les Arts
“El seu treball desafia la frontera de la comoditat entre el cos, la societat i el territori”
12.26.2019

Serra Victoria Bothwell Fels in Shepherd Express
“Artist Explores Conventional Notions of Beauty at Kohler Arts Center”
12.12.2019

Terrence Musekiwa in Hyperallergic
“Terrence Musekiwa titled kumusha ndekupi/where is home? (2019) throws that reality into sharp relief. Among other found materials, Musekiwa incorporated the bright blue tarps that were meant to serve as temporary covers for buildings damaged by Hurricane Maria”
11.28.2019

Catinca Tabacaru in Kooness
Catinca Tabacaru Gallery was born few years ago, in 2014. For a gallery pathway, five years usually still represent a young reality. But this is not your case: you are the director of a young gallery, but so vivid with your projects that you already have a certain kind of history. Do you think that the brave and precise choice to work from New York with artists from all continents, was well understood and rewarded? – Rossella Farinotti in dialogue with Catinca Tabacaru
11.12.2019

Catinca Tabacaru top 7 art works in Chicago Tribune
“Pat Phillips’ work (at the Catinca Tabacaru Gallery space) is deep, y’all. Two pieces featured at EXPO look at the crippling prison system in the U.S”
9.21.2019

Serra Victoria Bothwell Fels in Shepherd Express
An exhibition that challenges its confines—the galleries in the circa-1882 John Michael Kohler home—and challenges the notion of what makes the human body beautiful.
8.14.2019

CTG Collective in KMV-lehti
Maanantaina 5. elokuuta Serlachius residenssiin Mänttä-Vilppulaan saapui työryhmä CTG Collective.
08.10.2019

*Terrence Musekiwa in Connaissance des arts Magazine *
“The hybrid creatures of Terrence Musekiwa exhibited in the Bêtes de scène exhibition at the Villa Datris Foundation…”
8.8.2019

Pat Phillips in HYPERALLERGIC review by Thomas Micchelli’s
“Painting Paradoxes of Family, Race, and Prison”
3.9.2019

Rachel Monosov and Admire Kamudzengerere in AnOther
Ten Photographers to Have on Your Radar in 2019
5.10.2019

Catinca Tabacaru Top 5 Booths in Artnet
“Brussels’s Ultra-Cool Emerging Art Scene”
4.29.2019

TOP 10 Booths in Artribune
“Art Brussels 2019. I migliori 10 stand della fiera”
4.26.2019

Catinca Tabacaru Art Brussels Booth in Wallpaper
“art fair proves it still has bite as a destination for discovering new artists”
4.26.2019

Pat Phillips in artnet
Editors’ Picks: 18 Things Not to Miss in New York’s Art World This Week
3.25.2019

Chioma Ebinama in Wallpaper
Collaborations are instrumental to the work we do at Lagos Fashion Week
4.2.2019

Rachel Monosov and Admire Kamudzengerere in British Journal of Photography
Ten photographers have made it into the shortlist for MACK’S 2019 First Book Award
2.22.2019

Xavier Robles de Medina in Waterkant
“Elk werk van Xavier komt inderdaad tot stand vanuit een boeiend proces, want hij bestudeert, hij onderzoekt, analyseert en legt verbanden tussen bronnen.”
1.28.2019

Serra Victoria Bothwell Fels in ARTnews
5 Art Events to Attend in New York This Week
12.31.2018

Rachel Monosov in Elephant
“Five Must-See Shows at the Inaugural Lower East Side Art Week”
10.15.2018

Rachel Monosov: The Blind Leader in Artnet
“Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week”
10.2.2018

Rachel Monosov in yanezmagazine
“Li rende tangibili con la sua arte, connettendo terre che, solo dal punto di vista fisico, possono sembrare distanti, ma che, nell’unico habitat dei ricordi, così come nell’unico habitat dell’uomo-animale, sono concatenati, quasi sovrapposti.”
9.24.2018

Karine Rougier in Flaunt Magazine
“The Maltese-French artist depicts her emotional fascinations through diluted oil with a finley pointed single haired paint brush. These fascinations are sensually portrayed throughout the collection with recurring themes and inspirations of feminism, native cultures, poetry, hands, and eyes.”
7.2.2018

Karine Rougier in hifructose
“Karine Rougier’s mystical “Wild waves in our hands” touches both on our tribal nature and explores femininity.”
6.16.2018

Karine Rougier in Juxtapoz
“There is almost surreal, folkloric feeling in each painting and sculpture, playful but also mystical in some scenes.”
6.12.2018

Karine Rougier in BLOUIN ARTINFO
“ The minute details in these expressionist miniature paintings is what makes “Wild waves in our hands” move the viewer into a rhythmic emotional sensuality and mystical experience.”
6.7.2018

Karine Rougier in Artnet
Editors’ Picks: 11 Things Not to Miss in New York’s Art World This Week
5.28.2018

1972 in The Herald
“…the notion of identity; it occurs in fractured history, re-imagined pasts and the errors of tradition, once it is perceived from the alien lens…”
5.21.2018

1972 in HYPERALLERGIC
“Catinca Tabacaru, which has galleries in both New York and Harare, Zimbabwe is displaying the work of Admire Kamudzengerere and Rachel Monosov, two artists who are represented by the gallery and who together had developed a semi-fictionalized project, 1972, to explore interracial marriage in Zimbabwe. Their project plays fast and loose with back-dated documentation and personal testimony to insert their “marriage” (which may or may not be legal) into the official governmental records of the country.”
5.5.2018

Catinca Tabacaru Gallery in New York Times
“The Lower East Side dealer Catinca Tabacaru, who also has a Zimbabwe outpost, is featuring Admire Kamudzengerere’s mixed media works painted on aging telephone book pages…”
5.4.2018

1972 by Rachel Monosov and Admire Kamudzengerere in COLLECTOR DAILY
“The entire backstory to this project is so intricately crafted that the series resonates with impressively brainy intelligence.”
4.5.2018

Terrence Musekiwa in ARTNEWS
“He’s able to create these very expressive faces, and then the rest of the body acts as a profile of what’s being brought to and thrown away in Zimbabwe.”
5.3.2018

TRANS-Ville Act V in OBSERVER
5 Must-See Gallery Shows in NYC During Frieze Week
5.2.2018

Xavier Robles de Medina in The Art Couch
3.26.2018

Rachel Monosov in ArtBerlin
“… the exhibition is questioning how embodied collective memory can be dealt with through performance.”
4.7.2019

Rachel Monosov Berlin Art Link
“She seeks to unravel the heroism that is accredited by the outside world, revealing the fragility and vulnerability of the person behind their greater goal.”
3.31.2019

Admire Kamudzengerere and Rachel Monosov: 1972 in New York Magazine
“It was a time of great racial unrest, and interracial marriage was still illegal. “We took the most problematic moment in history, and we’re changing it and saying, this existed as well,” said Rachel.”
3.26.2018

Xavier Robles de Medina in Le Quotidien de l’Art
“Cinq jeunes artistes de moins de 35 ans : Xavier Robles de Medina”
3.21.2018

Yapci Ramos in COOLS
“RED HOT” BREAKS BOUNDARIES, SHATTERS TABOOS, AND BLEEDS WITH CHALLENGE”
3.20.2018

Chioma Ebinama in ocula
Snowed Under: Armory Week 2018
3.16.2018

Yapci Ramos in Forbes
“I felt empowered by it.”
2.25.2018

Yapci Ramos in Whitewall
2.23.2018

Catinca Tabacaru in Harpers Bazaar
Gallerist Catinca Tabacaru breaks down who’s taking the art scene by storm.
2.15.2018

CTG Collective in ARTSY
“Each group residency culminates in a group show. Tabacaru said the exhibitions reflect the diversity of the group of artists and their experiences, but are united by the sense of place.”
2.14.2017

Chioma Ebinama in The Lily
Female artists commemorate the Women’s March with original artwork
1.21.2018

Shinji Murakami in artdaily
The works in Lateral Thinking with Withered Technology make use of LEDs in a variety of styles and critically engage how the digital world influences many aspects of contemporary culture.
12.24.2017

TRANS-Ville Act III in RAVELIN Magazine
“Miriam Parker’s performance was billed as ‘TRANS-mutation,’ and her dance background synthesizes with her interests across media to create something unique..” – Alec Coiro
12.20.2017

Shinji Murakami in BEDFORD + BOWERY
“…a clear reminder that while the gallery may look rooted in the technology of the past, we are in the present, and it’s a present that may not be too far away from colonizing other planets.” – Cassidy Dawn Graves
12.12.2017

Shinji Murakami in artnet
Editors’ Picks: 11 Things to See in New York This Week – Sarah Cascone
12.11.2017

Rachel Monosov and Admire Kamudzengerere: Transcultural Protocol in Contemporary&
“Here he talks about why dance is so important in life and how performance can be an excellent vehicle to explore serious issues.” – Will Furtado
12.8.2017

Terrence Musekiwa in ARTNEWS
“The solo exhibition is the Zimbabwean artist’s first in the United States.”
11.27.2017

Terrence Musekiwa in artdaily.org
“Musekiwa lends power and motion to obsolete materials.”
11.22.2017

Terrence Musekiwa in Hyperallergic
“Musekiwa has managed to create a prescient set of sculptures, which, especially in light of recent events, offer a glimpse into a more optimistic future.” – Robin Scher
11.21.2017

TRANS-Ville Act II in Quite Lunch
“Displayed in the window of the Broome Street location, performers used the gallery floor as an extension of their practice, engaging the public in a visceral and moving experience.”
11.17.2017

Terrence Musekiwa in PAPER
10 MUST-SEE Art Shows Opening This Week
“Terrence Musekiwa, has his first America solo show” – Gary Pini
10.25.2017

Terrence Musekiwa in Artnet
Editors’ Picks: 17 Things to See in New York This Week
“Growing up in Zimbabwe, Terrence Musekiwa helped his father carve soapstones to sell to tourists.” – Sarah Cascone
10.23.2017

Joe Brittain in QUIET LUNCH
“We spoke to the artist about the past, future, history, and changing one’s perception.”
10.15.2017

TRANS-Ville Act I in COOL HUNTING
“[Coco Dolle] was the brains behind the show, offering a sharp, natural eye for diversity, without anxious woke-washing.” – Ida Therén
10.2.2017

TRANS-Ville in ARTNEWS
“The first of a three-part performance series, done in collaboration with curator Coco Dolle, it presented vaudeville-inspired ‘original, short acts combining body, word, sound, and concept works that play with notions of transition…”
9.29.2017

Shinji Murakami in Hyperallergic
“Your list of must-see, fun, insightful, and very New York art events this season… December: Be prepared to be enveloped by Murakami’s pixelated, LED world, which has its roots in 1990s game culture.”
9.19.2017

Greg Haberny in BLOUIN ARTINFO
“He uses shards of porcelain, ashes of his own burned paintings, and twists of wire combined with salvaged objects, spray paints, oils and acrylics in his works to reflect the anxiety around the unsustainability of mass consumer society.”
9.18.2017

Best Booths of EXPO Chicago in OBSERVER
“The booth from New York gallerist Catinca Tabacaru spotlights a new collaborative project from artist Rachel Monosov and Admire Kamudzengerere…” – Taylor Dafoe
9.14.2017

Northern Trust Purchase Prize Announced – Block Museum awarded Rachel Monosov & Admire Kamudzengerere’s “1972”
9.13.2017

10 Must-See Galleries at Expo Chicago in Chicago Tribune
“…the New York gallery was selected by curator Justine Ludwig as a young gallery to watch… it presents unhinged silkscreens by Admire Kamudzengerere and stunning multimedia projects from Rachel Monosov.” – KT Hawbaker
9.13.2017​

CTG Harare in Artnet news
“Catinca Tabacaru’s second space—in a locale it says has ‘no other artwork for many miles’—is dedicated exclusively to two-person exhibitions of Zimbabwean and international artists.”
9.6.2017

Shinji Murakami in El País
“Shinji Murakami, sin embargo, estas imágenes le permiten expresar claramente sus ideas sin perderse en la traducción, tanto en la vida privada como en la profesional.” – Patricia Gosálvez
8.18.2017

Catinca Tabacaru in WDD
At Work: Catinca Tabacaru, Gallerist
8.7.2017

Catinca Tabacaru in WWD
“Catinca Tabacaru didn’t take the predictable path toward becoming a New York City gallery owner.” – Kristen Tauer
8.7.2017

Capucine Gros on Artnet
“Gros is obsessed with maps. Her work deals with love and death, and the invisible borders that separate us from one another.” – Sarah Cascone
8.7.2017

TNF with Xavier Robles de Medina
Video Interview

Catinca Tabacaru in Precious.jp
“「36歳になった今は20代に比べて精神的にも落ち着き安定している。そして弁護士だったころよりも心が元気で幸せですね。今の仕事では、自分の素直な気持ちを大切に、新しい物事と進撃に向き合うことができる。毎月ギャラリー内で生まれる新しい世界をアーティストとともに創造できて、とても満足しています」。誰もが反対する突然の転職宣言からわずか数年で、未来へと繋がる確かな道筋を切り開いた若き成功者。”
7.27.2017

Yapci Ramos in Tendencias TV
“Es importante el compromiso de este centro al dar visibilidad al arte creado por mujeres, porque hay que dar visibilidad de forma igualitaria, esto está claro.”
7.24.2017

Capucine Gros in French Morning
“Les flux migratoires, les conflits de territoires et les déclarations d’amour d’individus éloignés géographiquement, autant de sujets que l’artiste traite à travers la broderie, la superposition de cartes ou la sérigraphie sur canevas.” – Margaux Deuley
7.20.2017

Capucine Gros in WWD
“She explores the concept of borders — emotional and physical — through much of her work… She will add layers to the monochrome painting throughout the span of the gallery show everyday at 5 p.m.” – Kristen Tauer
7.18.2017

Mehryl Levisse in The Quietus
“The resultant photographs are gripping, and haunting, and they read as the projected images of the deep well of memories and limitless imagination of a fiercely talented artist.” – Adam Lehrer
7.16.2017

Implicit Borders: A Cartography of Free Will in Artnet
Editors’ Picks: 13 Things to See in New York This Week
7.10.2017

Mehryl Levisse in artcritical
“As with the material non-functionality of the masks, Levisse’s photographs transpose a classical or baroque sensibility to a contemporary setting.”
7.5.2017

Mehryl Levisse in Arte Fuse
“Deviations from traditional white-wall gallery presentations do not often result in flattering spaces that serve the works exhibited. Birds of a feather fly together, the current exhibition of works by French artist, Mehryl Levisse at Catinca Tabacaru Gallery, is a successfully mesmerizing anomaly even in the more experimental gallery district of the Lower East Side.” – Seung Hee Kim
6.29.2017

Mehryl Levisse in Slash Magazine
6.13.2017

Mehryl Levisse in Hyesteria
“And the more I learn about this universe the more I become amazed by the amount of cultural nuances and poignant details Levisse masterfully incorporates.” – Sara Catalán
6.12.2017

Mehryl Levisse in OUT Magazine
“Levisse’s display is a provocative, romantic ode… and it’s created one of the most alluring gallery shows of the year.” – Chris Thomas
6.9.2017

Mehryl Levisse on Artnet
Editor’s Picks: 15 THINGS TO SEE in New York This Week – Sarah Cascone
6.8.2017

Mehryl Levisse in VICE’s Creators Project
“Mehryl Levisse’s surreal nude portraits are an absurdist peep show of French decadence.” – DJ Pangburn
6.8.2017

Mehryl Levisse in i-D Vice
“And the sum is greater than all the very specific parts: being inside the show feels like exploring someone’s hippocampus and seeing all the strange images circulating there.” – Alice Newell-Hanson
6.8.2017

Mehryl Levisse in Musee Magazine
6.8.2017

Mehryl Levisse: Birds of a feather fly together in AWorkstation.com
“there is an air of mystery and decadence to Levisse’s exhibition”
6.8.2017

Mehryl Levisse announced by the French Embassy in the USA
6.1.2017

Admire Kamudzengerere and Rachel Monosov in The Nation
“As anger still looms over Dana Schutz’s painting of Emmett Till in this year’s Whitney Biennial—and many forms of discrimination continue to trouble our country and others—Kamudzengerere and Monosov staged a performance of aggression to take place right before people’s eyes.” – Alina Cohen
5.26.2017

Terra Nova in Quiet Lunch
“It is rare to find galleries that support their artists like Catinca Tabacaru does for her CTG Collective. Tabacaru takes her group of diverse artists to the farthest reaches of the globe to find inspiration, experience new worlds, start conversations and connect with the land.”
5.25.2017

CTG Collective in ART ZEALOUS
“Romanian-born Catinca Tabacaru has quite the resumé: originally a human rights attorney, she then switched gears and made a huge splash in the New York art world as a curator and gallery owner. Her most recent endeavor is an art collective that has taken her and several artists to some of the most remote places on the globe. We can’t wait for you to read the incredible stories she has to tell.” – Katita Miller
5.16.2017

Catinca Tabacaru in HEAPS Magazine
“ギャラリストが自らの名をそのままギャラリーの名にかぶせるというのは「ここは私の感性と審美眼を通してアートを発信するギャラリーです」という一つのサインだ。”
6.12.2017

Greg Haberny in VICE
“One property was missing a roof and several walls when Ashkenazy bought it and handed the keys over to New York artist Greg Haberny. The place is now known as the Hermitage Museum, its pristine white walls filled with abstract paintings and sculptures made mostly of wood and other junk Haberny scavenged from the streets.” – Jennifer Swann
4.19.2017

1972 in WEPRESENT
“By making up this extraordinary story of an unlikely couple sharing their lives together during a time of political turmoil, Rachel and Admire want us to ask ourselves what images will define our present moment?”
4.18.2018

Greg Haberny in LA Weekly
“A Post-Apocalyptic Town on the Salton Sea Has Become Home to SoCal’s Most Radical Art Fest” – Carmiel Banasky
4.18.2017

Catinca Tabacaru in BWW
“I learned new things about an old friend that makes me understand better how she has come so far so quickly in the art world and how impressive she really is.” – Barry Kostrinsky
3.28.2017

Admire Kamudzengerere in Forbes
“Kamudzengerere has gone on to create a powerful and broad archive of work that consists of painting, drawing, performance and video.” – Adam Lehrer
3.27.2017​

Admire Kamudzengerere in C&
The result is a series of dark portraits, sometimes made by a single line.
3.15.2017

Serra Victoria Bothwell Fels in BlOUIN ARTINFO
6 Rooms Not to Miss at Spring/Break 2017: Bothwell Fels was once trained as a social psychologist, and evidently understands what will make exhausted visitors totally bug out at the end of a fair-filled day. The generic white cabinets of this corporate storage space are, as the Wicked Witch of the West famously intoned, “Melting! Melting!” The Lower East Side gallery recently hosted Fels’s first New York solo, where a giant protuberance splitting the floorboards and structural fragments seemingly being ejected from the ceiling above left visitors equally unsettled.
3.3.2017

Greg Haberny in Whitewall Mag
SPRING/BREAK ​Art Show immersive installation featured
3.1.2017

3 projects at SPRING/BREAK in Hyperallergic
“Other fairs prune and primp their art for maximum market efficiency; Spring/Break allows curators and artists to let their freak flags fly.” – Hrag Vartanian
Featuring Greg Haberny curated by Catinca Tabacaru, Ambre Kelly and Andrew Gori; Serra Victoria Bothwell Fels curated by Catinca Tabacaru and Raphael Guilbert, and Edgar Sarin curated by Raphael Guilbert
3.6.2017

Gail Stoicheff featured in Art News
Venus Rising selected by Maximilíano Durón as one of best projects at SPRING/BREAK
3.3.2017

Serra Victoria Bothwell Fels in Vice
Serra Victoria Bothwell Fels curated by Catinca Tabacaru and Raphael Guilbert is selected by Vice from a group of 150 projects featuring 400 artists.
3.3.2017

16 Curators To Watch at SPRING/BREAK in Artsy
Featuring Greg Haberny’s installation curated by Catinca Tabacaru, Ambre Kelly and Andrew Gori – Casey Lesser
3.1.2017

Greg Haberny in Artnet
Unbelievable Installations at SPRING/BREAK
3.1.2017

Xavier Robles de Medina in Trendbeheer
Review in Dutch
2.23.2017

Xavier Robles de Medina in Forbes
“…highly detailed drawings, which provide compartmentalized, figurative hints to a larger emotional and political puzzle…” – Kurt McVey
1.31.2017

Xavier Robles de Medina in Vice
“…an example of the political conversation stoked by his art, an interpretation of the marriage of past and present.” – Abby Ronner
1.28.2017

Xavier Robles de Medina in EuropeanEcho
(listen)
1.20.2017

Xavier Robles de Medina in Blouin Artinfo
“These works are collaged and carefully cropped, depicting partially obscure figures that represent more of a fantasy than they conceal the facts.”
1.18.2017

Xavier Robles de Medina in Starnieuws
feature in Dutch
1.12.2017

Serra Victoria Bothwell Fels in Vice
Review by Noémie Jennifer
12.27.2016

Serra Victoria Bothwell Fels: a DEFECT // to DEFECT in NY Art Beat
TOP 3 SHOWS TO SEE IN NEW YORK
12.16.2016

Radouan Zeghidour’s HYPOGEA in COOL HUNTING
“One would fear, when putting an artist who has become known for temporary works in extraordinary, secret places within the walls of a gallery, that the magic would be lost. Fortunately, this isn’t the case with Radouan Zeghidour’s “HYPOGEA” at Catinca Tabacaru Gallery”
5.12.2016

Greg Haberny in Vice
“He destroys, guts, glues, staples, shoots, burns, deconstructs, dismantles, and blows things up in order to achieve new levels of the sublime.”
11.17.2016

Greg Haberny in ARTE FUSE
“What makes Haberny’s latest work so compelling is that he holds nothing back.”
11.17.2016

Admire Kamudzengerere & Rachel Monosov in TENDAYSINPARIS
Must see collaborative work Land For Sale at AKAA
10.11.2016

CTG-R: Zimbabwe in Mixte Magazine
“Pendant un mois, 3 artistes internationaux venant de New York, du Surinam et d’Israël, se sont mêlés à 10 artistes Zimbabwéens.”
11.8.2016

Catinca Tabacaru in allure
“Catinca Tabacaru is no stranger to stepping outside of her comfort zone.” – Jennifer Henderson
10.17.2016

Justin Orvis Steimer in The Huffington Post
“He is a humble, soft spoken artist with invaluable insight and understanding of the human existence.”
10.8.2016

Fragmented Time in ARTE FUSE
“In their latest group show, Catinca Tabacaru Gallery offers an intriguing, if heady, look at the large and mysterious topic of the nature of time.” – Jennifer Wolf
8.16.2016

Rachel Monosov in mousse magazine
“Monosov’s work, although diverse in medium, has the common goal of revealing the absurdity of how long-standing nationalistic and religious identities have no place in a globalized world that has the potential to become borderless.”
8.12.2016

Rachel Monosov in Time Out Toronto
Things to do this weekend…
7.15.2016

Sophia Wallace: Over and Over and Over in VICE
“Like the clitoris, the works in the queer conceptual artist’s new show are small but powerful.” – Lori Zimmer
5.30.2016

Over and Over and Over in Art-Nerd
“Sophia Wallace continues her oeuvre with phrases that challenge taboos, sexuality and censorship in luminous exhibition.”
5.27.2016

Over and Over and Over in Artsy
“Sophia Wallace Counters the cliches and stigma of radical feminist art.” – Charlotte Jansen
5.16.2016

Radouan Zeghidour: HYPOGEA in Vice, The Creators Project
“An art student by day and a secret detective by night.”
5.12.2016

Editors’ Picks: 8 Art Events in Artnet
“In his first New York exhibition, curated by Marie Salomé Peyronnel, Radouan Zeghidour offers six works…”
5.9.2016

Rachel Monosov in The Word Magazine
Seven Belgium-based artists to keep on your radar
4.13.2016

Zig Zag Zim in The Herald, Zimbabwe
“The adventure that is Zig Zag Zim started in the 2015 Venice Biennale where the National Gallery of Zimbabwe’s Curator, Raphael Chikukwa met New York Gallerist, Catinca Tabacaru…”
4.11.2016

CTG-R: Zimbabwe on State of the Arts NYC (Listen)
Catinca Tabacaru and Justin Orvis Steimer talk about CTG-R: Zimbabwe, the Gallery’s inaugural Residency program-turned Museum Exhibition with host Savona Bailey-McClain
4.1.2016

Shinji Murakami in artnet News
Art Events to Attend in New York This Valentine’s Day Weekend
2.14.2016

Shinji Murakami in The Creators Project: Vice
“The pixelated works embrace simplicity” – Review by Noémie Jennifer
2.12.2016

Shinji Murakami in Arte Fuse
“This is where Shinji delivers- a rare blend of defined improvisation within the precision of geometrical accuracy.”
2.3.2016

Xavier Robles de Medina on Gesprek Met
Kevin Headley interviews artist on Surinamese TV (Dutch)
1.15.2016

Devotion in artcritical
“Devotion… is a glorious jumble of contemporary works… Some of the works are overtly spiritual, but many are joyously press-ganged into ritualistic duties in a curatorial installation that is itself a hybrid… of chapel and wunderkammer.” – David Cohen
1.7.2016

Xavier Robles de Medina in European Echo
Interviewed by Charlie Clemoes about his work and the ​creativity involved in buying and consuming things
1.3.2016

Devotion in Installation Magazine
“Devotion is a thought experiment.” – William Corwin
1.3.2016

Empathy in arrested motion
“…the Tel Aviv-based artist [Addam Yekutieli] steps into more conceptual direction with this new series.”
10.15.2015

Empathy in JUXTAPOZ
Israeli artist Addam Yekutieli’s first solo exhibition at Catinca Tabacaru Gallery… A poignant series of text-based photographic diptychs pair site-specific outdoor pieces with images of people bearing hand poked tattoos of the works.
10.15.2015

Yapci Ramos in Wall Street International
“This powerful and affecting show runs at Catinca Tabacaru Gallery until October 11, 2016. If you are trekking through the Lower East Side galleries anytime​ soon, this gallery, which regularly presents amazing work, would be well worth your time.”
9.25.2015

Yapci Ramos in Paper Magazine
“In a New York art bubble that still seems to be dominated by the work of white male artists, Ramos’ exhibit featuring thought-provoking humanist portraits of disenfranchised women, and displayed in a gallery run by women, glimmers like a diamond in the rough.”
9.10.2015

Yapci Ramos in Blouin ArtInfo
“When you title your exhibition “Perras y Putas” —roughly, “Bitches and Whores” you’ve got to expect some level of controversy, ​or at least consternation.”
9.10.2015

Gail Stoicheff in REFINERY 29
5.11.2015

Xavier Robles de Medina in SCAD PAINTING DEPARTMENT BLOG
4.22.2015

14 Young Dealers To Watch In 2015 in Artnet
“If the future of the New York art world is in their hands, we might not be so screwed after all.” – Cait Munro
2.27.2015

5 Galleries To Watch in 2015 in OBSERVER
“We could be hearing these names a lot this year.” – Alanna Martinez
12.26.2014

Robin Kang in ArtSlant:
2013 ArtSlant Prize winner Robin Kang currently exhibiting works at Catinca Tabacaru Gallery.
11.13.2014

10 Must-Se Summer Group Shows in Blouin’s ARTINFO
Make It Big, Make It Red, Put A Crown On It
“Highlights: The bloody abstractions of Barnaby Furnas. Keywords: Crimson solidarity; exhibition titles that could double as hip-hop lyrics.” – Scott Indrisek
7.7.2014

Justin Orvis Steimer in Creem Magazine
1.1.2014