Chioma Ebinama
Ritual For A New Direction, 2016

Rituals for A New Direction explores how a history of images create a sense of cultural identity. Chioma draws us into her world of demigods and demons, creating tensions of lightness and dark, the authentic and the fantastic. As a daughter of two worlds—Nigeria and the United States—she has been granted a cultural saliency that allows her to be a chameleon, both an outsider and insider. Her delicate and layered works borrow from the mythologies of the pre-Columbian Americas and West Africa, as well as the visual vocabularies of American folk art and Japanese manga. They reflect an affinity for transcultural bricolage as a tool for subverting the Eurocentric art histories and present-day cultural imperialism.

Birth of Anwulili, 2016, ink monoprint, watercolor on kozo/sulphite paper, 26 × 23 in

She Wept For Us, 2016, ink monoprint, watercolor on kozo/sulphite paper, 26 × 22.75 in

Chi Guardians Rise From Her Tears, 2016, ink monoprint, watercolor on kozo/sulphite paper, 26 × 22.75 in

Sculpture of the Goddess Anwulili, 2016, Unglazed white clay, 13 × 6.5 in

Our Conception (detail)

Our Corruption, 2016, ink monoprint, watercolor on kozo/sulphite paper, 53 × 64 in

Our Conception, 2016, ink monoprint, watercolor on kozo/sulphite paper, 53 × 64 in

Our conceptions (Detail)

Our Corruption (Detail)

Corruption sequence (Detail)

A Most Sacred Harvest, 2016, ink monoprint, watercolor on kozo/sulphite paper, 26 × 22.75 in

Chi Guardian Figure, 2016, fabric, indigo dye, white clay, 13 × 19 in

Ritual For A New Direction curated by Raphael Guilbert for SPRING/BREAK 2018