Pink Village, 2016 Single Channel, HDV. Stereo sound, 25:21 min.
As a gift to one nearby village, Monosov offered to paint a mud hut pink. The village accepted. What happens when you give a gift, which one artist desires to see manifested for formalistic reasons? The creative pursuit of bringing friction to the natural landscape ignites a dialogue regarding the aesthetic, political and cultural relationships between Africa and the West.
Land For Sale, 2015, performance with 265 specimen packets containing Zimbabwean earth
As a performance Rachel Monosov and Admire Kamudzengerere sit behind a table inside a kiosk donning large lettering announcing “LAND FOR SALE.” The two artists are packaging earth which visitors can buy in small specimen bags reading: “100% pure Pink Village earth.” The artists invite visitors to learn about Pink Village, a place 25km outside of Harare, Zimbabwe whose mud huts were painted pink by a Western artist in 2015. Each packet is sold for Euro 40.
EXHIBITIONS
2016 Catinca Tabacaru Gallery, New York
2016 National Gallery of Zimbabwe, Harare; Curators: Catinca Tabacaru and Raphael Chikukwa
2016 Joyce Yahouda Gallery, Montréal, Canada; Curator: Nicolas Mavrikakis
2017 dokumentArt, Neubrandenburg, Germany
Land for Sale, 2015, performance with 265 specimen packets containing Zimbabwean earth
Before, 2015 inkjet print on postcard, 4×6 in
100% of proceeds of sale of postcards are donated to the Pink Village
Pink Village, 2015, site-specific community project
Untitled, 2016, archival pigment print, 12 × 18 in | 30 × 46 cm
Hot Pink, 2015, archival pigment print, 12 × 18 in | 30 × 46 cm
Pink Village, 2015
Rachel Monosov conducting interviews Samaita, the nearby village Shaman who gained access and helped the artists establish trust with the village
Matriarch, 2015, inkjet print, 12 × 18 in | 30 × 46 cm
Happiness, 2015 inkjet print, 24 × 36 in | 61 × 91.5 cm
Admire Kamudzengerere and Rachel Monosov give interview describing how they will sell Zimbabwean land to tourists, 2015
Untitled (Diptych), 2016, archival pigment print, 12 × 34 in
Untitled (Diptych), 2016, inkjet print, and plexiglass (plexi artist frame)